Film Noir

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작성자 Melina
댓글 0건 조회 3회 작성일 24-11-07 04:26

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Films have so many genres that filmmakers would have a hard time choosing the kinds that want to make. Of course, there are classic genres such as horror, comedy, drama and the rest, but some genres that were popular a few decades ago have seemed to be forgotten. One such genre is Film Noir, which is a combination of crime and drama with a hint of suspense and dark comedy. The plots usually evolve around and emphasize sexual motivations and cynical attitudes from the characters. The plot is also shows melodrama quality. These films were very popular in the 1940s and 1950s. Most of the filmmaking school that have been around during these times could have help develop Film Noir cinematography, taking inspiration from German Expressionist.

Most Film Noir movies have a black and white, low-key visual style, which adds to the drama of the film's plot. The name of the style and genre is also taken from its dark or black mood. Although most Film Noir is made in America, where most filmmaking school were found, there have been many similar films made all throughout the world. There have also been many parodies or mocks during Film Noir's popularity, most of which were dark comedies. Many have also mistaken the genre and style for horror, a fall back when making dark movies. The Film Noir genre and style has made many classic films such as The Public Enemy, D.O.A. and High Sierra.

During the classic time, Film Noir was always black and white, even during the introduction of colored cinematography. However, it slowly shifted to color in the late 1940's. This created films such as Niagara, Dial M for Murder and Vertigo. Although these films are not as visually dark as the classic Film Noir movies, they still hold true to the essence of the genre. The years between 1970 to 1990 developed movies like Dirty Harry, Taxi Driver, Trouble in Mind and Eyes Wide Shut , which have very different cinematography styles compared to the older movies and have also added a different mixed to the plot, giving the new generation of Film Noir movies a different flavor.

However, there have been recent movies that went back to the roots of Film Noir such as Shutter Island, Public Enemies, Sin City and The Black Dahlia. These movies have dark cinematography with the classic Film Noir plot of crime and drama. When making films, going back to the roots is important since it lets filmmaking school student understand how the genre evolved and made it the way it is.








Most of the filmmaking school that have been around during these times could have help develop Film Noir cinematography, علاء الشريف taking inspiration from German Expressionist.

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