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Fela Kuti

Fela is a man with contradictions. This is what makes him so fascinating. People who love him are able to accept his flaws.

His songs are often longer than 20 minutes and are sung in a thick Pidgin English that is almost unintelligible. His music is inspired by Christian hymns jazz, classical music, Yoruba singing, and horn-andguitar heavy highlife.

He was a musician

Fela Kuti embodied the idea that music is an instrument for change. His music was used to argue for political, social and economic change. His influence can be present today. Afrobeat is a musical style that combines African and Western influences. Its roots are in West-African and funk. However it has evolved into a completely new genre.

His political activism was ferocious and unflinching. He made use of his music to speak out against corruption in government and human rights abuses. Songs such as "Zombie", "Coffin for the State Head" and others were shrewd criticisms of Nigeria's dictatorship. He also used Kalakuta as a venue to gather like-minded people and to promote political activism.

The production features a huge portrait of his late mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and pioneer of the feminist movement. Shantel Cribbs plays her, and AccidentInjuryLawyers she does a great job of capturing the importance she played in Fela's life. The play also focuses on her political involvement. Despite her condition deteriorating she refused to be tested for AIDS. Instead she opted for traditional treatments.

He was a musician

Fela Ransome-Kuti was a multifaceted musician who used his music as a tool for political change. He is famous for his work on Afrobeat, which is a blend of funk and dirty African rhythms. He was also a fervent critic of Nigeria's political and religious leaders.

Fela's mother was a suffragist against colonialism, so it is not surprising that he has a passion for political commentaries and social commentary. His parents hoped that he would be a doctor however, he had other ideas.

A trip to America changed his perspective forever. His music was greatly affected by his exposure to Black Power movements and the leaders like Eldridge Clever and Malcolm X. He embraced a philosophy of Pan-Africanism, that would influence and guide his later work.

He was a writer.

While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experience inspired him to start an organization called the Movement of the People, and to compose songs that expressed his thoughts about black activism and political consciousness. His ideas were expressed in public through the method of yabis, which is a form of public speaking that is referred to as 'freedom of expression'. He also began to establish a strict ethical code for his band, such as refusing to take medication from Western-trained doctors.

After returning to Nigeria Fela began to build his own club The Shrine in Ikeja. The raids by military and police officials were almost daily. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with drugs of all kinds, especially "bana" and "yamuna" (heroin). Fela was a steadfast person regardless of this. His music is a testament to the determination with which he fought authority and demanded that the popular will be reflected in official objectives. It is a remarkable legacy that will endure for generations to come.

He was a poet

In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also snarkily mocked his audience, government, AccidentInjuryLawyers and even himself. During these shows, he referred to himself as "the big fish in the small pond." These jokes were not accepted lightly by the authorities, and he suffered repeated arrests and imprisonments, as well as beatings at the hands of authorities. He was eventually given the name Anikulapo, which means "he carries his body in his purse."

In 1977, Fela released a song called "Zombie" in which he contrasted soldiers with brainless zombies that followed orders without any question. The military was offended by the song who seized the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, Fela's mother was thrown from her second-floor apartment by the window.

In the years following the independence of Nigeria, Fela created Afrobeat, a genre of music that combined jazz and traditional African rhythm. His songs attacked European culture imperialism and supported African traditional religions and cultures. He also criticized fellow Africans for betraying their country's traditions. He also stressed the importance of freedom and human rights.

He was a hip-hop artist

A trumpeter, saxophonist, composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up listening to jazz music, rock and roll and traditional African music and chants which helped form his unique style of music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas have influenced his work.

Fela's music was a political instrument after his return to Nigeria. He was critical of the government in his home country and argued that African culture should not be submerged by Western sensibilities. He also wrote about social injustices and human rights abuses. He was frequently detained for his criticism of military.

Fela was also a fervent advocate of marijuana in Africa and is referred to as "igbo". He often held public debates at Afrika Shrine, called "yabis" which was where he would lampoon officials of the government and share his beliefs on freedom of expression and the beauty of women's bodies. Fela also had a harem of young women, who performed at his shows and acted as vocal backups to his vocalists.

He was a dancer

Fela was a master of musical fusion, combining elements from jazz, beat music and highlife to create his own distinct style. He was a prominent African musician and a vocal critic of colonial rule.

Despite being arrested and tortured by the Nigerian military junta, and witnessing his mother be killed, Fela refused to leave the country. He died of complications due to AIDS in 1997.

Fela was a well-known political activist who was critical of the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums such as 1973's Gentleman, AccidentInjuryLawyers focused on addressing oppression from both government bodies and colonial parties. He also emphasized black power and criticised Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track of an album from 1978. It describes overcrowded public buses full of poor workers, "shuffering and smiling". Fela was a fierce opponent of religious hypocrisy. His dancers were an excellent match for his music. They were vibrant, sensual and regal. Their contributions were just as important as Fela's words.

He was an activist for the political cause.

Fela Kuti was an activist who utilized music to challenge unjust authority. He took his knowledge of American jazz and funk to African patterns and rhythms, resulting in an edgy sound that was prepared for battle. Most of his songs begin with slow-burning instrumentals, then adding short-lined melodies and riffs until they burst with urgency.

In contrast to many artists who were afraid to speak out about their politics, Fela was fearless and uncompromising. He stood up for what he believed in even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was both a protestant minister, and the head of the teachers' union.

He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided the Kalakuta Republic which destroyed property and injured Fela. He refused to back down however, and continued to protest against the government. He passed away from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.

He was a father

Music is often viewed by many as a political act. The lyrics of musicians are used to demand change. Some of the most powerful musical performances are not supported by words. Fela Kuti was one such artist and his music continues to ring out to this day. He was the pioneer of Afrobeat music, which blends traditional African rhythms and harmony with hip-hop and jazz and was influenced by artists such as James Brown.

Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria which served its all of its citizens.

Fela's son Seun is continuing his father's legacy through the band Egypt 80 that's touring the world this year. The band's music combines the sounds and politics of Fela's day with a fervent denial of the same power structures that continue to exist in the present. Black Times will be released at the end March. A large number of fans paid their respects at the funeral held in Tafawa Balewa square. The crowd was so huge that police were forced to shut off the entrance to the location.